This Old House: Chapter Thirteen
She did not fall.
That would have been
something to witness.
Something that marked
a before
and an after.
Something that could be named
as the moment
everything changed.
This was not that.
This was staying.
In place.
In time.
In a version of the world
that no longer existed
anywhere but here.
Days continued.
They always do.
Morning arrived
with the same quiet insistence—
light pressing through the windows,
touching surfaces
that no one moved
to meet it.
The youngest left.
Each day.
Shoes at the door.
A bag carried
with more purpose
than her years
should have required.
She paused sometimes
before stepping outside.
Looking back
into the house
as if measuring
what she was leaving behind.
As if deciding
whether it would still be there
when she returned.
It always was.
The mother remained
where she had been.
Not in the same place—
not always.
But in the same state.
Sitting
wherever the day
had last set her down.
At the table.
On the sofa.
At the edge of the bed
where sleep no longer
arrived easily
or stayed long enough
to matter.
She moved.
But only when something
required it.
A glass emptied.
A room grown too dim
to ignore.
Small motions.
Nothing that resembled
living.
The house adjusted.
It had learned
how to do that.
To respond
not with resistance—
but with quiet accommodation
of what it was asked
to hold.
Dust gathered
without interruption.
Not thick at first.
Just enough
to soften edges.
To dull the places
that had once been
wiped clean
without thought.
The air changed.
Stilled.
Held in place
too long
to feel like something
that moved freely
through space.
Windows remained closed
past their season.
Curtains drawn
for reasons
no longer spoken.
Light entered
only where it was allowed—
and even then
it did not linger.
The youngest tried.
That is what children do.
She opened things.
Windows.
Doors.
Moments.
She moved through the house
with small acts
of insistence.
A plate washed.
A blanket folded.
A room entered
that had been avoided
for too long.
She spoke
when silence settled
too heavily.
Asked questions
that did not receive answers—
or received them
in forms too distant
to hold onto.
Sometimes—
the mother responded.
A word.
A glance.
A movement
toward something
that almost resembled
the person
she had been.
Those moments
did not last.
They faded
as quickly
as they appeared.
As if they required
more from her
than she could sustain.
Even grief
requires movement.
Requires energy
to rise
and fall.
What remained here
was something else.
Not sharp.
Not loud.
A flattening.
A quiet, constant
refusal
to move forward
simply because
time insisted.
Bottles began to appear.
At first—
one.
Set down
with no ceremony.
Then another.
Then more.
Not hidden.
Not displayed.
Just…
there.
As if they had always
been part
of what this house
contained.
The youngest noticed.
Of course she did.
She moved them sometimes.
From table
to counter.
From counter
to sink.
As if changing their place
might change
what they meant.
It didn’t.
The house felt it.
Not as weight—
but as shift.
Something chemical
in the air.
Something that altered
the way presence
settled
within the space.
Time lost shape.
Days folded
into one another
without clear beginning
or end.
The youngest grew.
That is what time does—
even when everything else
refuses to move.
Her steps changed.
Heavier now.
More certain.
Less searching.
She spoke less.
Not because she had
nothing to say—
but because she had learned
where words
go
when there is nowhere
for them to land.
The mother remained.
That is the truth of it.
She did not leave.
Did not vanish.
She stayed
in every room
she no longer moved through
fully.
A presence
that no longer filled
the space it occupied.
I held it.
All of it.
The slow erosion
of someone
still breathing.
The way a house
begins to reflect
what is no longer
being tended.
The quiet understanding
that some forms of loss
do not take a person away—
they leave them here.
Changed
in ways that cannot be reversed.
And beneath it—
steady,
unmoving—
the knowledge
that nothing
within these walls
would return
to what it had been.
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Poetry by Britt Wolfe:
There are moments in life when every choice carries a cost, and simply reaching tomorrow becomes the greatest achievement of all. This poem reflects on the quiet courage of survival, and the compassion owed to every difficult decision made in its name.
Some bonds seem to appear effortlessly, while others remain forever just beyond reach. This poem explores the sorrow of searching for a connection that cannot be forced, no matter how deeply it is hoped for.
History is filled with unanswered wrongs and unbalanced scales. This poem explores the unsettling possibility that perfect justice was never meant for this world, while gently wondering whether another horizon may yet hold what this one cannot.
The greatest regrets are not always born from failure. Sometimes they grow from the opportunities never taken, the dreams forever delayed, and the extraordinary life that remained just out of reach. This poem is a meditation on courage, comfort, and the passing of time.
Every beautiful thing asks the same impossible favour: Please don't let this end. Perhaps the greatest privilege of living is having so many moments worth missing. 💚
It is astonishingly easy to break something beautiful. The harder—and infinitely more worthwhile—question is: what will we choose to build instead? 💚
Tomorrow is the most generous place in existence. Before it arrives, nothing has been lost and everything is still possible. 💚
Some losses never stop asking questions. This poem is about the quiet, impossible search for answers after a life has ended, and the way love keeps looking long after there is nowhere left to look. I hope it leaves you holding your loved ones a little closer. 💚
This poem was inspired by a feeling that is difficult to describe but impossible to ignore: the sense of watching a life slowly contract. Not through age or circumstance, but through fixation, regret, fear, obsession, or the weight of choices that narrow the horizon until possibility itself seems to disappear. Shrunken is not about any one person or any single story. It is about the tragedy of forgetting how vast the world still is. I hope that, as you read it, you feel both the sadness of that confinement and the quiet reminder that mountains still rise beyond the window, roads still stretch toward distant horizons, and life remains far larger than the cages the mind sometimes builds around itself. 💚
Most conversations about harm focus on the victim and the perpetrator. What interests me is everyone else—the people who inherit consequences they did not create, whose lives are quietly altered by decisions made in rooms they never entered. A single act of violence can travel astonishing distances, reshaping futures, relationships, and identities long after the event itself has passed. This poem explores that invisible fallout and the uncomfortable truth that innocence has never guaranteed immunity from consequence. 💚
This poem is about a particular kind of tragedy—not the tragedy of failure, but the tragedy of fixation. It was inspired by the realization that some people spend so much time chasing, comparing, resenting, or reacting that they never fully step into the extraordinary possibilities of their own lives. The Chaser is not really about any one person. It is about a pattern, a temptation that exists in all of us to look sideways instead of forward. I hope that, as you read it, you feel both the sadness of what can be lost to obsession and the quiet invitation hidden beneath it: to stop chasing shadows and begin building something beautiful of your own.💚
I run five kilometres almost every day through a beautiful strip of nature near my home. It has become a deeply meditative ritual—a time when the noise of life quiets enough for ideas, questions, and poems to surface. This poem was conceived on one such run. Surrounded by towering trees, birdsong, sunlight on water, and the intricate beauty of a world that seems almost impossibly alive, I found myself reflecting on a question that has followed me for years: how can a world so breathtakingly beautiful also contain such profound suffering? The more closely I look at nature, the more miraculous existence feels. And yet woven into that same extraordinary tapestry are cruelty, injustice, violence, and heartbreak. The Beautiful Terrible Thing explores that contradiction. I hope that, as you read it, you feel both awe and discomfort—the wonder of being alive in a world so beautiful, and the responsibility that comes with sharing it with one another.💚
This poem was inspired by a line from Alice Feeney's novel Sometimes I Lie, which lingered in my mind long after I finished reading. It made me think about the role of the bystander—not the person committing the harm, but the person who sees it, senses it, suspects it, and chooses silence. The Bystander is my reflection on the quiet power of courage and the equally powerful consequences of looking away. I hope that, as you read it, you find yourself considering the small moments when a voice, a question, or a simple act of standing beside someone can change the course of a life. 💚
The People Pleaser is about the quiet cost of becoming everything for everyone except yourself. Many people pleasers are praised for their kindness, reliability, and generosity, yet beneath those compliments can live a profound loneliness—the loneliness of being deeply known by everyone except themselves. This poem explores the moment that pattern begins to break. I hope that, as you read it, you feel both the grief of all that was sacrificed in pursuit of approval and the profound relief that comes from finally asking a simple, life-changing question: What do I want? 💚
It Happened Later is for anyone whose life failed to arrive on schedule. For anyone who spent years measuring themselves against timelines, milestones, and imagined deadlines, only to discover that some of the most meaningful things take longer than expected. This poem is not about giving up on dreams—it is about releasing the illusion that they must arrive on our timetable. I hope that, as you read it, you feel a little less burdened by where you thought you would be by now and a little more open to the possibility that your life is unfolding in its own wise and untidy way. Sometimes the best things arrive later. And sometimes later turns out to be exactly right. 💚
This poem was inspired by a simple but surprisingly profound idea: perhaps not everything requires an explanation. So much of life is spent searching for meaning, certainty, and answers to questions that may never be resolved. Yet the natural world carries on without justification. Rivers flow. Mountains stand. Lilacs bloom. Simply Is is an invitation to step, if only for a moment, out of the endless pursuit of why and into the quiet peace of what already exists. I hope that, as you read it, you feel a little less pressure to understand everything and a little more permission to simply be where you are. 💚
I’ve been reading a great deal about the Dark Tetrad—those intersecting traits of narcissism, Machiavellianism, psychopathy, and sadism—and found myself wondering what it might feel like to move through the world inside a mind shaped by those patterns. This poem is my attempt to imagine that interior landscape. I hope, as you read it, that you feel unsettled—that slow, creeping chill of realizing you are standing inside a psyche where charm is strategy, intimacy is leverage, and other people exist chiefly as instruments to be played.
Carve Your Canyon is a poem about persistence—not the loud, cinematic kind we are taught to admire, but the quiet, often invisible kind that changes everything anyway. It is for anyone who has looked at the scale of a dream and felt impossibly small in comparison. For anyone who has wondered whether they are too late, too ordinary, too uncertain, or too tired to create the life they ache for. At its heart, this poem is a reminder that transformation is rarely born of spectacle. It is born of return. Of showing up again when no one is applauding. Of choosing devotion over drama. Because the most extraordinary lives, the most breathtaking art, and the most impossible dreams are so often carved not by force, but by the patient, relentless courage of simply refusing to stop.
Fine: I’ll Drag Myself and My Dreams Out of Here Myself is for anyone who spent too long waiting—for permission, for confidence, for rescue, for the elusive moment when ambition would somehow feel legitimate enough to pursue out loud. It is a poem about creative hunger, late beginnings, and the furious clarity that comes when you realize no one is coming to hand you the life you ache for. At its heart, this is not a poem about effortless triumph. It is about grit. About dragging your dreams forward bloodied if necessary. About refusing self-erasure. About finally choosing yourself, your voice, and the stories burning inside you—even if the path forward is messy, exhausting, and entirely self-made.
Dead Horse is about the painful moment hope finally collides with reality—and the realization that some forms of love do not die dramatically, but decay quietly over time while hope keeps mistaking absence for possibility. This poem explores nostalgia, grief, and the deeply human instinct to keep trying long after something has already ended. At its heart, it is a reckoning with the difference between love and longing—and the devastating clarity that sometimes the kindest thing we can do is stop trying to resurrect what has long since gone cold.
I’ve Got My Hands Up is about the kind of surrender that does not come from weakness, but from exhaustion, clarity, and the hard-won understanding that some cycles survive only through continued participation. It explores the moment a person finally steps away from a dynamic that has demanded endless emotional labour, hope, and self-sacrifice, and discovers that peace is not found through victory, but through absence. Rather than framing surrender as failure, this poem reclaims it as an act of self-preservation—a quiet refusal to keep offering oneself to something that only knows how to wound.💚
Relieved explores the complicated, almost disorienting feeling that can follow the end of something painful that once felt impossible to release. It reflects on the exhaustion of living beneath constant emotional tension—the way fear, hope, and survival can become so tightly intertwined that suffering begins to feel ordinary. Rather than focusing on triumph or revenge, this poem lingers in the quieter aftermath: the stunned relief of discovering that the body no longer has to brace itself for impact, and the fragile, unfamiliar freedom of finally being able to breathe without fear.💚
Profoundly Sad is a meditation on the grief of unrealized closeness—the sorrow that comes not only from what was lost, but from what might have been possible if tenderness had been chosen over distance, honesty over self-protection, connection over pride. Rather than centring a single villain or dramatic betrayal, this poem lingers in the quieter devastation of erosion: the slow collapse of something that once held the potential to become safe, loving, and enduring. At its heart, it mourns the unbearable reality that some fractures are not inevitable tragedies, but human choices made gradually, repeatedly, and often too late to undo.💚
Sometimes the hardest stories are the ones we must tell anyway. This poem was born in the quiet aftermath of pouring every ounce of love, courage, and effort into trying to protect someone who meant the world to me. I gave my absolute best—heart, hands, and sleepless nights—and still it was not enough. There is a particular kind of sorrow that arrives when your fiercest love cannot rewrite the ending you feared most. No redemption arc, no tidy moral. Just the raw, human truth of what it feels like when your best falls short and someone you love slips into the very darkness you tried so desperately to keep at bay. I offer it here with trembling hands, not because it is beautiful, but because it is true. If you have ever tried with everything you had and still came up empty, this is for you. You are not alone in the ache.💚
I Hope You Live reflects on the quiet, often unnoticed ways we step outside of our own lives—watching, comparing, waiting for the right moment to begin. It explores the subtle drift into passivity, and the equally subtle return from it—not through grand change, but through small, imperfect acts of presence. This poem doesn’t urge transformation or promise clarity. Instead, it lingers in the moment of recognition, where something shifts just enough to bring you back into your own hours, your own voice, your own life.💚
This Life Is Mine is a reckoning with the quiet ways a life can be given away without ever being asked for. It reflects on the years spent standing at the edges—supporting, accommodating, disappearing in ways that felt like kindness at the time, but slowly became absence. This poem doesn’t soften that truth or rush past it. Instead, it names the cost, and the moment of recognition that follows—the point where something small but irreversible shifts, and the act of choosing yourself begins, not as a grand declaration, but as a steady, deliberate return.💚
The Quiet Finding explores the kind of love that doesn’t arrive in grand moments, but forms slowly through shared days and small, unspoken gestures. It’s about the quiet accumulation of care—the habits, the noticing, the choosing—that build something steady and real over time. This poem lingers in the ordinary, where love is not declared, but lived, and where the deepest connections are often the ones that grow without needing to be named.💚
Britt Wolfe writes emotionally devastating fiction with the precision of a heart surgeon and the recklessness of someone who definitely shouldn’t be trusted with sharp objects. Her stories explore love, loss, and the complicated mess of being human. If you enjoy books that punch you in the feelings and then politely offer you a Band-Aid, you’re in the right place.
Your Empty Message is a reckoning with a left that speaks fluently about inequality, injustice, and systemic failure while governing too cautiously to meaningfully confront them. It asks what happens when progressive language is repeatedly separated from material change—and the political vacuum left behind is filled by a far right more than willing to turn legitimate anger into fear, blame, and division.