They chose me
for my straightness.
For the way I did not bend.
Measured me
against lines drawn by hands
that had never known
what it meant to grow.
I was lifted—
not as I had been,
but as I had been made into.
One length
among many.
Carried
to a place that did not remember
the forest.
The ground was wrong.
Hard.
Packed down by boots
instead of softened by root and rain.
The air held smoke—
not the clean burn of lightning-struck trees,
but something heavier.
Intentional.
They marked the land
as if it had always belonged to them.
Drove stakes into soil
that did not ask to be claimed.
And then—
they began.
The first time they raised me,
it was not with reverence.
No pause.
No recognition
of what I had been.
Just hands,
ropes,
orders shouted into open air.
Lift.
Hold.
Fix in place.
I was set
above them.
Driven into position
with force
that echoed through what remained of me.
Fastened
to others
I did not know.
We did not speak.
We could not.
Not like this.
But I felt them—
the remnants of forests
pressed together
into something rigid,
unmoving,
expected to hold.
This was the structure.
This was the “greater purpose”
they had spoken of
in hushed, hopeful tones.
A house.
It rose quickly.
Faster than anything in the forest
had ever been allowed to become.
Walls closing in.
Rooms taking shape.
A roof stretched tight
over all of us.
And just like that—
we were no longer
pieces.
We were function.
I learned the weight of it
immediately.
Boots above.
Voices below.
The constant, unrelenting pressure
of lives moving
without ever considering
what held them up.
They arrived
before the last nail had settled.
Men, mostly.
Heavy-footed.
Tired in a way
that did not soften them.
They filled the rooms
with noise.
Laughter that hit the walls
too hard.
Arguments that lingered
long after the words had ended.
They brought dirt in with them—
on boots,
on hands,
in the way they carried themselves.
The house took it all.
So did I.
I listened.
Because there was nothing else
to do.
Stories spilled easily
when no one thought
they were being held.
Gold in the hills.
Fortunes just out of reach.
Losses buried
under drink and bravado.
They spoke of leaving
as if it were inevitable.
As if this place
was only ever meant
to be temporary.
None of them
looked up.
Not once.
Not to the beams.
Not to the structure
that kept the cold out,
that held the roof steady
through wind
and the long, restless nights.
I began to understand
the shape of my new existence.
To carry
without being seen.
To hold
without being known.
The house settled around us.
Wood against wood.
Pressure finding its place.
We creaked
in the night—
not from weakness,
but from memory.
Of movement.
Of wind.
Of something other than this.
They called it
old wood.
They were wrong.
It was us
remembering.
Seasons changed
without meaning.
I no longer felt them
as I once had.
No thaw in my veins.
No slow preparation
for winter’s weight.
Only the constant—
the same ceiling,
the same walls,
the same lives
passing through
like weather I could not touch.
And still—
I held.
Because I had been made to.
Because there was no unmaking
what had already been done.
But somewhere,
deep within the grain
they had cut and shaped
and forced into stillness—
something remained.
Not faith.
That had been taken
in the falling.
Something quieter.
A knowing.
That this—
this was not what they had promised.
And yet—
this was where I would stay.
Watching.
Learning.
Becoming witness
to lives
that would never understand
what it meant
to be held.
Keep My Words Alive
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Poetry by Britt Wolfe:
What happens when a poem that once made you smile becomes the very thing that haunts you? The Man Who Wasn't There is a deeply intimate and heartbreaking exploration of grief, memory, and the unbearable persistence of someone who is no longer here. Inspired by Hughes Mearns's Antigonish, it tells of a familiar verse transformed by loss, when words once spoken with amusement become a painful reminder of everything that can never return. It is a poem about the voices we can still hear, the people we almost find in ordinary moments, and the devastating distance between remembering someone and having them beside us. For anyone who has ever found themselves haunted not by a ghost, but by the absence of someone they would give anything to see again.
We like to believe that endings come when everything is finished. When the right words have been spoken, the important things have been said, and we've had enough time to make peace with what comes next. But life rarely affords us that kindness. Sometimes people leave with promises still to keep, relationships end with love still lingering, and entire futures disappear before they've had the chance to begin. Unfinished (But Still Over) is a poem about the heartbreak of everything left unsaid and undone, and the painful, reluctant acceptance that something can be over long before we're ready to let it go. Because perhaps the hardest part of an ending isn't losing what we had, but learning to live with everything we thought we still would.
What happens when grief becomes so consuming that even sadness begins to disappear? Numb and Colourless is a haunting exploration of the emotional emptiness that follows profound loss, when the world continues in all its magnificent colour, but nothing feels beautiful, terrible, meaningful, or worth anticipating anymore. It is a deeply desolate reflection on the frightening space between existing and living, where love becomes something remembered rather than felt, hope loses its purpose, and even the person we once were begins to feel like a stranger. For anyone who has ever discovered that the opposite of happiness isn't always sadness, but something infinitely more unsettling: the absence of feeling anything at all.
What if the most devastating part of grief isn't the loss itself, but the possibility that there is no meaning to be found within it? Searching for the Blessing is a haunting exploration of our desperate need to find hope in tragedy, to believe that even the cruellest endings must hold some hidden mercy. Perhaps the blessing belongs not to those left behind, but to those who have finally found peace beyond the burdens of living. But what if there is no blessing at all? What if some losses cannot be redeemed, some suffering serves no greater purpose, and love, no matter how profound, cannot make the unbearable worthwhile? A deeply intimate reflection on faith, despair, and the terrifying possibility that sometimes, no matter how desperately we search, there is nothing to find.
What happens when someone you've spent so long learning to live without becomes someone you must learn to live without forever? Breaking for You One Final Time explores the fleeting, irrational sense of betrayal that can accompany an irreversible goodbye, when grief feels almost deliberate and all the possibilities of tomorrow disappear at once. It is a deeply intimate reflection on unfinished relationships, the fragile hope of reconciliation, and the devastating realization that even after all the hurt, the distance, and the things left unsaid, love never really went anywhere. For anyone who has ever made peace with someone's absence, only to discover they were never prepared for the permanence of it.
How much of a lifetime do we surrender to things that never happen? All of the Horrible Things That Never Happened is a poignant reflection on worry, the quiet cruelty of imagined catastrophes, and the precious hours we sacrifice preparing for futures that may never arrive. It explores the heartbreaking irony of spending so much of our limited time fearing what might go wrong, only to discover that time itself was the one thing we could never afford to lose. For anyone who has ever lain awake rehearsing disasters, postponed happiness until everything felt certain, or forgotten to notice the beauty of an ordinary day while waiting for something terrible to happen. 💚
There was a time when a bad day meant spilled coffee, uncooperative technology, and a thousand little frustrations that felt enormous in the moment. But what happens when an ordinary day becomes the one that changes everything? What a Bad Day Used to Be is a heartbreaking reflection on the innocence of everyday inconveniences, the devastating permanence of loss, and the moment our understanding of suffering changes forever. It explores how a date that once held the promise of another tomorrow can become an anniversary of absence, and how the world continues with all its trivial irritations while everything that matters has irrevocably changed. For anyone who has ever wished that a bad day could be something small again. 💚
What happens when love becomes allegiance, loyalty is mistaken for truth, and the people we cherish become strangers beneath the weight of all of it? Emotional Enmeshment is a deeply intimate exploration of invisible family loyalties, the heartbreak of conditional tenderness, and the exhausting search for answers that may never exist. It is a poem about the relationships that might have been, the love that was undeniably real, and the quiet devastation of accepting that some things cannot be repaired, explained, or understood. For anyone who has ever wondered whether different words, greater patience, or a little more love might have changed everything—and is learning to make peace with never knowing.💚
What if the greatest kindness we could wish for those we've lost is that they never know how deeply they're missed? Beyond the Veil is a deeply sorrowful meditation on love, grief, and the quiet mercy of letting go. It explores the hope that death is not another place from which to witness our suffering, but a gentle release from everything that made living so heavy. For those who have ever whispered into the silence, hoping their words would be heard, while wishing, more than anything, that they wouldn't have to be. 💚
Sometimes, the words that sound the angriest are born from the deepest hurt. An Appeal for Justice explores the heartbreak of being misunderstood, the desperation of asking to be heard, and the quiet tragedy of having our pain mistaken for cruelty. It is a poem about the things we say when tenderness has failed us, and the love that can remain beneath even our sharpest words. For anyone who has ever raised their voice when all they really wanted was to be believed. 💚
Grief is a peculiar thing. It doesn't always arrive with dignity or eloquence. Sometimes it comes disguised as irritation, disbelief, or the utterly unreasonable desire to scold someone for something they cannot possibly undo. I've been thinking about the absurdity of permanence, the extraordinary audacity of a world that simply carries on, and the strange way loss can make even our most exasperating memories feel unbearably precious. Well, That Was Stupid is a little irreverent, a little indignant, and considerably more heartbroken than it would like to admit. Because sometimes, when something is too enormous to comprehend, all we can manage is to point at the universe and tell it what an absolutely ridiculous thing it's done. 💚
I've been thinking about how much of our lives we spend carrying things we were never meant to hold forever. The weight of expectations, the exhaustion of being understood, the quiet accumulation of things said and unsaid. How easily we lose ourselves in the noise of living, and how rarely we allow ourselves the simple luxury of peace. A Place Where Nothing Hurts is a tender imagining of what it might mean to finally lay everything down. A reflection on the things that remain when the noise falls silent, the extraordinary beauty of ordinary comforts, and the hope that somewhere, somehow, there is a gentleness waiting for us that asks absolutely nothing in return. 💚
There is something achingly beautiful about the beginning of things, when the future is still an open invitation and hope has yet to learn the language of disappointment. I've been thinking about the distance between who we were and who we become, about the quiet passage of years and the strange tenderness of looking back at moments we once lived without knowing how precious they would become. The Strange Tragedy of Beginnings is a reflection on time, possibility, and the bittersweet privilege of remembering. Perhaps the most extraordinary thing about being human is that, despite everything life teaches us, we somehow find the courage to begin again. 💚
I wrote The Loss of My Life in the wake of my father's death, trying to find words for a grief that began long before he was gone. There is a particular kind of heartbreak in mourning someone you loved deeply, but whose love could also leave you feeling unseen. It is the sorrow of losing not only the person who existed, but the relationship you spent a lifetime hoping might one day become something different. This poem is about the complicated coexistence of gratitude and resentment, tenderness and hurt, love and longing. It's about the memories I will always treasure, the wounds I am still learning to carry, and the terrible finality of knowing that some conversations will never happen, some apologies will never come, and some stories will remain forever unfinished. Above all, it is about loving someone enough to grieve both who they were and who they might have been. 💚
I wrote Crossword Puzzles and Fabric Softener in memory of my dad, who passed away on his 80th birthday. It's about the quiet, ordinary ways love reveals itself, often in moments we don't recognize as extraordinary until years later. It's about the things we keep without knowing why, the small exceptions someone makes just for us, and the questions that remain when a relationship ends before we've found all the answers. Above all, it's about understanding that love can be imperfect, complicated, and sometimes difficult to recognize, but no less real for having existed in the spaces between what was said and what was left unsaid. 💚
Some names are remembered not because they deserved infamy, but because they became convenient. This poem explores the recurring pattern of public blame, forgotten context, and the painful truth that history often chooses its villains before it knows its facts. Somehow, the blame is always hers.
The Midpoint Moves challenges the idea that moderation is inherently moral. When the political right moves further toward the extreme, continually meeting it in the middle does not hold the centre—it moves it. A poem about the dangerous distance between compromise and permission, and what happens when yesterday’s unacceptable becomes today’s reasonable.
Your Empty Message is a reckoning with a left that speaks fluently about inequality, injustice, and systemic failure while governing too cautiously to meaningfully confront them. It asks what happens when progressive language is repeatedly separated from material change—and the political vacuum left behind is filled by a far right more than willing to turn legitimate anger into fear, blame, and division.
There are moments in life when every choice carries a cost, and simply reaching tomorrow becomes the greatest achievement of all. This poem reflects on the quiet courage of survival, and the compassion owed to every difficult decision made in its name.
Some bonds seem to appear effortlessly, while others remain forever just beyond reach. This poem explores the sorrow of searching for a connection that cannot be forced, no matter how deeply it is hoped for.
History is filled with unanswered wrongs and unbalanced scales. This poem explores the unsettling possibility that perfect justice was never meant for this world, while gently wondering whether another horizon may yet hold what this one cannot.
The greatest regrets are not always born from failure. Sometimes they grow from the opportunities never taken, the dreams forever delayed, and the extraordinary life that remained just out of reach. This poem is a meditation on courage, comfort, and the passing of time.
Every beautiful thing asks the same impossible favour: Please don't let this end. Perhaps the greatest privilege of living is having so many moments worth missing. 💚
It is astonishingly easy to break something beautiful. The harder—and infinitely more worthwhile—question is: what will we choose to build instead? 💚
Tomorrow is the most generous place in existence. Before it arrives, nothing has been lost and everything is still possible. 💚
Some losses never stop asking questions. This poem is about the quiet, impossible search for answers after a life has ended, and the way love keeps looking long after there is nowhere left to look. I hope it leaves you holding your loved ones a little closer. 💚
This poem was inspired by a feeling that is difficult to describe but impossible to ignore: the sense of watching a life slowly contract. Not through age or circumstance, but through fixation, regret, fear, obsession, or the weight of choices that narrow the horizon until possibility itself seems to disappear. Shrunken is not about any one person or any single story. It is about the tragedy of forgetting how vast the world still is. I hope that, as you read it, you feel both the sadness of that confinement and the quiet reminder that mountains still rise beyond the window, roads still stretch toward distant horizons, and life remains far larger than the cages the mind sometimes builds around itself. 💚
They say that when you're lost in the wilderness, the best thing you can do is stop wandering, sit down, and yell until someone finds you. But grief is a different kind of wilderness. There are no familiar landmarks, no trail to retrace, and no guarantee that anyone will hear you calling. When Lost, Sit Down and Yell is a poem about the terrible disorientation of losing someone you love, the exhaustion of being told to keep moving forward, and the heartbreaking truth that the person you most want to find you is the one who never can.